Monday, March 31, 2008
Final Drawing: A Ring Falling
Monday, March 17, 2008
Rough sketch of final piece
It's movement is also what I think would be the most similar to the movement path of a ring rock falling.
I tried drawing in a straight line but this proved uninteresting so I drew my vectors facing outwards like spikes and reflecting the motion of the rock of the ring not just the direction.
Lines are lengthened for speed and also pushed closer together.
I hope to give the impression of twisting, turning and bouncing with my ring vectors.
Wednesday, March 12, 2008
Drawing Movement by the Creek
These are the movements of a fly, a bubble in the waterfall current (my personal favourite) and a map of the movement of a patch in the stream.
This is a map of the movement of the waterfall.
These lines of movement show water behind a rock and the flight of leaves on a tree.
These are my beginning drawings, they show the movement of a little leaf on a soft branch, some flax and a daisy. I like the different shapes the different pieces make.
This final page shows the movement of leaves on a tree and blades of grass with vectors. We can see how big and in what direction the movement is.
Monday, March 10, 2008
Friday, March 7, 2008
Len Lye
Shot from 'A Colour Box'
Free Radicals
Throughout all his work you can see his ideas of light, life force and movement coming through... he called this 'total artwork'.
Grass
This example of kinetic sculpture is made of stainless steel blades in wood and moving with the aid of a motor.
Thursday, March 6, 2008
Lebbeus Woods
Neomechanical Tower (Upper) Chamber
Marcel Duchamp
He then took the shape that the string fell in and carved draftmen's straighedges accordingly.
Through this piece of art he is thinking about chance and accident versus the meticulous and skilled paintings of his contemporaries.
3 Standard Stoppages
Another work of his which experiments with machinery and physics is 'The Bride Stripped Bare by her Bachelors". This is made with various materials (e.g copper) on glass and comprises of two panels. The top represents the bride and her awakening sexuality and the bottom represents the bachelors. He describes the figures as 'desire motors' and looks into the chemistry between two sexes or the 'sparks' that fly between each other. He explores the idea of sex as purely a physical action (like cogs and mechanisms) working without emotion.
The Bride Stripped Bare by her Bachelors
Fountain